Free Novel Read

Starlight Ranch Page 21


  Month after month through the sharp mountain winter, so long as the snow was not whirling through the air in clouds too dense to penetrate, Van and his master had their joyous gallops. Then came the spring, slow, shy, and reluctant as the springtide sets in on that high plateau in mid-continent, and Van had become even more thoroughly domesticated. He now looked upon himself as one of the family, and he knew the dining-room window, and there, thrice each day and sometimes at odd hours between, he would take his station while the household was at table and plead with those great soft brown eyes for sugar. Commissary-bills ran high that winter, and cut loaf-sugar was an item of untold expenditure. He had found a new ally and friend,—a little girl with eyes as deep and dark as and browner than his own, a winsome little maid of three, whose golden, sunshiny hair floated about her bonny head and sweet serious face like a halo of light from another world. Van "took to her" from the very first. He courted the caress of her little hand, and won her love and trust by the discretion of his movements when she was near. As soon as the days grew warm enough, she was always out on the front piazza when Van and I came home from our daily gallop, and then she would trot out to meet us and be lifted to her perch on the pommel; and then, with mincing gait, like lady's palfrey, stepping as though he might tread on eggs and yet not crush them, Van would take the little one on her own share of the ride. And so it was that the loyal friendship grew and strengthened. The one trick he had was never ventured upon when she was on his back, even after she became accustomed to riding at rapid gait and enjoying the springy canter over the prairie before Van went back to his stable. It was a strange trick: it proved a fatal one.

  No other horse I ever rode had one just like it. Running at full speed, his hoofs fairly flashing through the air and never seeming to touch the ground, he would suddenly, as it were, "change step" and gallop "disunited," as we cavalrymen would say. At first I thought it must be that he struck some rolling stone, but soon I found that when bounding over the soft turf it was just the same; and the men who knew him in the days of his prime in Arizona had noted it there. Of course there was nothing to do for it but make him change back as quick as possible on the run, for Van was deaf to remonstrance and proof against the rebuke of spur. Perhaps he could not control the fault; at all events he did not, and the effect was not pleasant. The rider felt a sudden jar, as though the horse had come down stiff-legged from a hurdle-leap; and sometimes it would be so sharp as to shake loose the forage-cap upon his rider's head. He sometimes did it when going at easy lope, but never when his little girl-friend was on his back; then he went on springs of air.

  One bright May morning all the different "troops," as the cavalry-companies are termed, were out at drill on the broad prairie. The colonel was away, the officer of the day was out drilling his own company, the adjutant was seated in his office hard at work over regimental papers, when in came the sergeant of the guard, breathless and excited.

  "Lieutenant," he cried, "six general prisoners have escaped from the guard-house. They have got away down the creek towards town."

  In hurried question and answer the facts were speedily brought out. Six hard customers, awaiting sentence after trial for larceny, burglary, assault with intent to kill, and finally desertion, had been cooped up together in an inner room of the ramshackle old wooden building that served for a prison, had sawed their way through to open air, and, timing their essay by the sound of the trumpets that told them the whole garrison would be out at morning drill, had slipped through the gap at the right moment, slid down the hill into the creek-bottom, and then scurried off townward. A sentinel down near the stables had caught sight of them, but they were out of view long before his shouts had summoned the corporal of the guard.

  No time was to be lost. They were malefactors and vagabonds of the worst character. Two of their number had escaped before and had made it their boast that they could break away from the Russell guard at any time. Directing the sergeant to return to his guard, and hurriedly scribbling a note to the officer of the day, who had his whole troop with him in the saddle out on the prairie, and sending it by the hand of the sergeant-major, the adjutant hurried to his own quarters and called for Van. The news had reached there already. News of any kind travels like wildfire in a garrison, and Van was saddled and bridled before the adjutant reached the gate.

  "Bring me my revolver and belt,—quick," he said to the servant, as he swung into saddle. The man darted into the house and came back with the belt and holster.

  "I was cleaning your 'Colt,' sir," he said, "but here's the Smith & Wesson," handing up the burnished nickel-plated weapon then in use experimentally on the frontier. Looking only to see that fresh cartridges were in each chamber and that the hammer was on the safety-notch, the adjutant thrust it into the holster, and in an instant he and Van flew through the east gate in rapid pursuit.

  Oh, how gloriously Van ran that day! Out on the prairie the gay guidons of the troops were fluttering in the brilliant sunshine; here, there, everywhere, the skirmish-lines and reserves were dotting the plain; the air was ringing with the merry trumpet-calls and the stirring words of command. Yet men forgot their drill and reined up on the line to watch Van as he flashed by, wondering, too, what could take the adjutant off at such an hour and at such a pace.

  "What's the row?" shouted the commanding officer of one company.

  "Prisoners loose," was the answer shouted back, but only indistinctly heard. On went Van like one inspired, and as we cleared the drill-ground and got well out on the open plain in long sweeping curve, we changed our course, aiming more to the right, so as to strike the valley west of the town. It was possible to get there first and head them off. Then suddenly I became aware of something jolting up and down behind me. My hand went back in search: there was no time to look: the prairie just here was cut up with little gopher-holes and criss-crossed by tiny canals from the main acequia, or irrigating ditch. It was that wretched Smith & Wesson bobbing up and down in the holster. The Colt revolver of the day was a trifle longer, and my man in changing pistols had not thought to change holsters. This one, made for the Colt, was too long and loose by half an inch, and the pistol was pounding up and down with every stride. Just ahead of us came the flash of the sparkling water in one of the little ditches. Van cleared it in his stride with no effort whatever. Then, just beyond,—oh, fatal trick!—seemingly when in mid-air he changed step, striking the ground with a sudden shock that jarred us both and flung the downward-pointed pistol up against the closely-buttoned holster-flap. There was a sharp report, and my heart stood still an instant. I knew—oh, well I knew it was the death-note of my gallant pet. On he went, never swaying, never swerving, never slackening his racing speed; but, turning in the saddle and glancing back, I saw, just back of the cantle, just to the right of the spine in the glossy brown back, that one tiny, grimy, powder-stained hole. I knew the deadly bullet had ranged downward through his very vitals. I knew that Van had run his last race, was even now rushing towards a goal he would never reach. Fast as he might fly, he could not leave Death behind.

  The chase was over. Looking back, I could see the troopers already hastening in pursuit, but we were out of the race. Gently, firmly I drew the rein. Both hands were needed, for Van had never stopped here, and some strange power urged him on now. Full three hundred yards he ran before he would consent to halt. Then I sprang from the saddle and ran to his head. His eyes met mine. Soft and brown, and larger than ever, they gazed imploringly. Pain and bewilderment, strange, wistful pleading, but all the old love and trust, were there as I threw my arms about his neck and bowed his head upon my breast. I could not bear to meet his eyes. I could not look into them and read there the deadly pain and faintness that were rapidly robbing them of their lustre, but that could not shake their faith in his friend and master. No wonder mine grew sightless as his own through swimming tears. I who had killed him could not face his last conscious gaze.

  One moment more, and, swaying, tottering first from side
to side, poor Van fell with heavy thud upon the turf. Kneeling, I took his head in my arms and strove to call back one sign of recognition; but all that was gone. Van's spirit was ebbing away in some fierce, wild dream: his glazing eyes were fixed on vacancy; his breath came in quick, convulsive gasps; great tremors shook his frame, growing every instant more violent. Suddenly a fiery light shot into his dying eyes. The old high mettle leaped to vivid life, and then, as though the flag had dropped, the starting-drum had tapped, Van's fleeting spirit whirled into his dying race. Lying on his side, his hoofs flew through the air, his powerful limbs worked back and forth swifter than ever in their swiftest gallop, his eyes were aflame, his nostrils wide distended, his chest heaving, and his magnificent machinery running like lightning. Only for a minute, though,—only for one short, painful minute. It was only a half-mile dash,—poor old fellow!—only a hopeless struggle against a rival that never knew defeat. Suddenly all ceased as suddenly as all began. One stiffening quiver, one long sigh, and my pet and pride was gone. Old friends were near him even then. "I was with him when he won his first race at Tucson," said old Sergeant Donnelly, who had ridden to our aid, "and I knowed then he would die racing."

  * * *

  THE END.

  Printed by J. B. Lippincott Company, Philadelphia.

  * * *

  Transcriber's note

  Some of the spellings and hyphenations in the original are unusual; they have not been changed. Minor punctuation errors have been corrected without notice. A few obvious typographical errors have been corrected; they are listed below.

  Page 107: "would he hurried to their support" changed to "would be hurried to their support".

  Page 160: "See knew how her father trusted" changed to "She knew how her father trusted".

  Page 197: "The car-seems whirling" changed to "The car seems whirling".

  Page 227: "jagged rocks stook" changed to "jagged rocks stood".

  End of the Project Gutenberg EBook of Starlight Ranch, by Charles King

  *** END OF THIS PROJECT GUTENBERG EBOOK STARLIGHT RANCH ***

  ***** This file should be named 26137-h.htm or 26137-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/2/6/1/3/26137/

  Produced by Carla Foust and the Online Distributed

  Proofreading Team at http://www.pgdp.net (This file was

  produced from images generously made available by The

  Internet Archive/American Libraries.)

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks. Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all the terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.net/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm

  electronic work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all

  the terms of this agreement, you must cease using and return or destroy

  all copies of Project Gutenberg-tm electronic works in your possession.

  If you paid a fee for obtaining a copy of or access to a Project

  Gutenberg-tm electronic work and you do not agree to be bound by the

  terms of this agreement, you may obtain a refund from the person or

  entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. "Project Gutenberg" is a registered trademark. It may only be

  used on or associated in any way with an electronic work by people who

  agree to be bound by the terms of this agreement. There are a few

  things that you can do with most Project Gutenberg-tm electronic works

  even without complying with the full terms of this agreement. See

  paragraph 1.C below. There are a lot of things you can do with Project

  Gutenberg-tm electronic works if you follow the terms of this agreement

  and help preserve free future access to Project Gutenberg-tm electronic

  works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"

  or PGLAF), owns a compilation copyright in the collection of Project

  Gutenberg-tm electronic works. Nearly all the individual works in the

  collection are in the public domain in the United States. If an

  individual work is in the public domain in the United States and you are

  located in the United States, we do not claim a right to prevent you from

  copying, distributing, performing, displaying or creating derivative

  works based on the work as long as all references to Project Gutenberg

  are removed. Of course, we hope that you will support the Project

  Gutenberg-tm mission of promoting free access to electronic works by

  freely sharing Project Gutenberg-tm works in compliance with the terms of

  this agreement for keeping the Project Gutenberg-tm name associated with

  the work. You can easily comply with the terms of this agreement by

  keeping this work in the same format with its attached full Project

  Gutenberg-tm License when you share it without charge with others.

  1.D. The copyright laws of the place where you are located also govern

  what you can do with this work. Copyright laws in most countries are in

  a constant state of change. If you are outside the United States, check

  the laws of your country in addition to the terms of this agreement

  before downloading, copying, displaying, performing, distributing or

  creating derivative works based on this work or any other Project

  Gutenberg-tm work. The Foundation makes no representations concerning

  the copyright status of any work in any country outside the United

  States.

  1.E. Unless you have removed all references to Project Gutenberg:

  1.E.1. The following sentence, with active links to, or other immediate

  access to, the full Project Gutenberg-tm License must ap
pear prominently

  whenever any copy of a Project Gutenberg-tm work (any work on which the

  phrase "Project Gutenberg" appears, or with which the phrase "Project

  Gutenberg" is associated) is accessed, displayed, performed, viewed,